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The Poetry Friday Roundup is here today.
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Each first Friday of the month the Inklings write to a challenge from one of us. This month Linda Mitchell offered the challenge from a post she saw on Instagram: “‘Find a poem you like, or one you don’t like. Write the first 6 lines of the poem. Under each line write your own response. Delete the original lines, use what you have as a beginning for your poem.’ Tusiata Avia #30in30 writing prompt.”

Once I started doing this, I couldn’t stop. Recently I bought The Selected Poems of Wendell Berry. What a wonderful mentor, nature writer, poet. On Substack for “This Photo Wants to be a Poem,” I wrote after “To the Unseeable Animal” my side by side version “To the Shadow Moving.”

For Thursday’s Spiritual Journey post, I wrote beside James Crews.

The most satisfying thing about writing like this is you can remove the original poem because your new poem is unique to you.

To What Flies

(after To What Listens by Wendell Berry)

I see it again lonely 

and alone, the image of the heron 

opening his wings wide 

to fly to the other side, 

no mate will follow, 

no nest to call home. 

From WordPress Free Photo library

I subscribe to Rosemerry Wahtola Trommer’s daily poem. (I also highly recommend her new book Wonderment.) On Sept. 26, she sent out a poem “Sometimes When I am Stuck.”

Sometimes When I am Dwelling

When I feel as if my body
is slowly shutting down,
and my spirit is made of jelly,
when my feelings
go deep as if darkness
dwells within me,
that is when I awake
to an inner peace,
ever waiting my notice, my voice.
That peace is longing
as if whispering words.

Margaret Simon, draft (after Rosemerry Wahtola Trommer)

Please consider visiting other Inklings posts. Link to your own Poetry Friday posts using InLinkz below.

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Spiritual Thursday posts are being gathered today by Patricia Franz at Reverie.

Patricia Franz is hosting Spiritual Thursday this month. She selected the theme of Trust.

Above all, trust in the slow work of God…Only God could say what this new spirit
gradually forming within you will be.
Give Our Lord the benefit of believing
that his hand is leading you,
and accept the anxiety of feeling yourself
in suspense and incomplete.

—Pierre Teilhard de Chardin, S.J. 

I’ve been binge listening to Sara Bareilles’s new album “Good Grief.” Every song touches me in a deep way. I’ve also listened to a few of her interviews around the release and while she doesn’t say her trust is in God directly, she does believe in the universe, the eternity of all life. Her song “Forever” is about the sacred spirit that holds us all. Be careful, this one will make you cry.

I struggle with trusting that there is a “plan.” I really don’t believe there is some grand plan, but I do trust that our maker, creator God is beside us on this life journey. I pray. I meditate. I sing. All the while looking for signs pointing to hope. Hope is in the songs, the stories, the poetry, and always, in Love.

Andrea Gibson made a strong imprint on so many lives and continues to do so. Sara Bareilles wrote a song that includes Andrea’s words called “Love Story.”

James Crews wrote a poem for Andrea that was published by Rattle on Sept. 28, 2026 in response to her line, “We will spend our entire lives praying for what we have.”

I wrote a poem alongside a bonus poem James Crews offered on Substack. Poetry, songs, music connects us to each other in ways we cannot understand.

Praying for What I Have

Sleeping, snoozing, I awoke through
darkness in the trees,
wondering how I could make
a day worthy of my waking,
worrying about nothing.
I was trying to forgive myself

when out of the dawn, from
beyond my window, a barred owl sent me
its who-cooks-for-you call
on fall fresh air, and a word
fell from my snoring breath—
Thanks— as the owl
distilled silence into gratitude.

Margaret Simon, draft

I love these whimsical owls created by Stephanie Paterson.

Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

Moon Morning

As I walk the old neighborhood,
I note the changes—
the roses that Betty tended are not in bloom,
the tall house sold; young children live there now, toys strewn across the lawn.
Clyde would love knowing them.

Lynn stops me as I pass.
”Do you know me?” He asks.
I can’t recall, but we talk anyway.

The moon hangs on to the morning,
losing its full,
returning to new.

Margaret Simon, draft

Please join me in writing to a photo each week on Substack.

Poetry Friday is being gathered today By Tricia Stohr-Hunt at The Miss Rumphius Effect.

At the end of every month, the Poetry Sisters put out a challenge for their group as well as any others who may want to give it a shot.

Today’s call came from Mary Lee Hahn. She borrowed the prompt from Colby Sharp’s collection The Creativity Project. “It was all my fault.”

There are hard things as well as joyful things when taking responsibility for a seven year old. My daughter is on a work trip, so I am responsible for getting Thomas up, fed, dressed, and to school by 7:35 sharp each morning. I wished I could have written a note to his teacher. “This is Just to say…”

Dearest First Grade Teacher,

This is just to say
it’s all my fault
he has no water bottle today,
his hair is misaligned,
his shirt untucked.

We were in a rush,
you see. The dogs needed feeding,
homework reading, and of course,
the nerf gun reloading.

Please forgive me
if he is a little off his rhythm.
We did text his mom “I love you”
and I pecked a kiss in carpool line.

We are both doing the best we can.

Sincerely,
Mamére

Thomas trying to remember what happened in school. Om!
Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

On Sunday, a gathering of three women poets in the Bayou Teche Museum drew a small, yet reasonable crowd. I knew when I planned the poetry reading that it wouldn’t be everyone’s favorite vegetable, so I was pleased that the 30 chairs were nearly all full.

After I read, I introduced Liz Burk. Liz and I met on the dance floor; her husband and mine both enjoy going out for Cajun dancing. We’ve run into each other for years and maybe because we are both poets, we had a strong connection, seeking each other out to sit together. One of the joys of retirement is having lunch with a friend. At one of our lunch dates, Liz said to me, “I’d love to read in New Iberia. I’ve never read there.”

I set it up with the curator of the Bayou Teche Museum, and we decided to invite a third poet, Ava Leavell Haymon. We both knew and loved her. Ava, who was Poet Laureate of Louisiana from 2013-2015, lives in Houston now, so we were very excited that she agreed to come.

Liz Burk, Ava Leavell Haymon, and me, Margaret Simon

Liz, who is a transplant from New York to Louisiana, writes a lot of poems about “Learning to Love Louisiana.” Her poems are real, romantic, and witty. Today I am sharing one that was published by One Art Poetry in 2025.

Shards of Light

I have lunch with a younger friend
whose beard is turning to iron—
in compensation, his ponytail
grows longer. We talk and I wonder
if he had ever desired me. I try to keep
such narcissistic preoccupations
tucked away from my awareness,

but they glow now in the dim light
of this restaurant at noon,
that murky gray of a rainy day,
shards of light streaking oblique and harsh
through unwashed windows,
turning everything ashen and pasty.

The young waitress sashays back
and forth, appears to flaunt
her lithe body while I sit lumpy
on the booth banquette. I’ve lost height
from what used to be my waistline up—
the spine undoubtedly collapsing—
it feels like the table between us
is at the level of my chin. I squelch
the urge to ask for a booster seat.

I turn my attention back to my friend,
listen as he recounts his adventures
traversing the country solo
in his new minivan, realize his true desire
lies in his need to tell me his stories.
As for my need to feel desired,
I’m hoping that tiresome burden
will diminish with age—
will it bring mourning or relief?

Elizabeth Burk

Ava read from three of her collections. With Halloween just around the corner, she shared a poem from her book “Why the House is Made of Gingerbread” in which she embodies a character, a woman named Gretel, who takes on the fairy tale as her own childhood story.

It was selected by Lemony Snicket to be included in “Poetry Not Written for Children that Children Might Nevertheless Enjoy.”

The Witch Has Told You a Story
BY AVA LEAVELL HAYMON

You are food.
You are here for me
to eat. Fatten up,
and I will like you better.

Your brother will be first,
you must wait your turn.
Feed him yourself, you will
learn to do it. You will take him

eggs with yellow sauce, muffins
torn apart and leaking butter, fried meats
late in the morning, and always sweets
in a sticky parade from the kitchen.

(Read the complete poem here.)

The poetry reading was a highlight for me. Our three styles of writing are as different as three kittens in a mixed litter, but we each have a passion for the poetic form. When asked if this was the first in a series of poetry readings, I responded, “No!” There are just some things that should happen just once.

Poetry Friday:

Poetry Friday is being gathered today by Carol Varsalona at Beyond Literacy Link.

Today is the first day of Open Write at Ethical ELA. Today’s prompt was offered by Mo Daley.

Mo asks us to consider our place in the world, where we are, and who may have come before. I went to one of my favorite topics, the grandmother oak in my backyard.

I am also thinking about the upcoming Write Out from the National Writing Project in partnership with the National Parks. The theme this year is “Where We Stand”. Please consider writing outside this fall between Oct. 11-25, 2026. There are many student resources available.

Grandmother Oak

To enrich this earth,
I have planted my feet
in the solid arms
of grandmother oak planted
three hundred years ago.
Chitimacha women prayed over the sapling.

I do not wish to escape
her history
scarred into her flesh.

Let me feel it, stroke
her old skin worn
and strong—single survivor.

I praise her hold
of the sunrise
where I rise
to be blessed.

Grandmother oak with Bayou Teche beyond.
Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

I follow Pádraig ÓTuama and receive his weekly newsletter on Substack.

This week he wrote about monostitch poems, which are written with one line. His example was a poem by Rafiq Kathwari. There can be much said in a single line when each word is measured and carries weight.

As usual, Pádraig invited his audience to try it and share in the comments. I read through many of them, but this one stood out to me.

When the candle of your best intentions has gone out,

there will be matches in the drawer.

Deborah Cooper

Matches in the drawer

This is my response:

Introducing myself to the hospice nurse,

I hear my mother say my name for the last time.

Margaret Simon, draft

Next month I will be participating in a Walk for Alzheimer’s. Please consider a donation to the cause that is still so close to my heart.

Poetry Friday roundup is with Linda at Teacher Dance

This week I am #beingmamére in New Orleans. My grandson, Thomas, is in first grade, and I have the duty of getting him to school on time and picking him up. What should I do with the time in between?

Yesterday I had tea with my cousin who teaches architecture at Tulane. He suggested that I visit the Ogden Museum to see a new show of contemporary Louisiana artists. Amazingly, traffic was minimal, so I was able to get there and park without too much anxiety. I also lucked out that the museum is free to Louisiana residents on Thursdays. Meant to be.

I happened upon a photograph by Jennifer Graycheck. Hey, I know her! She lives in New Iberia and teaches art at the school where my girls went. She also has an amazing sunflower farm with her husband who is a landscape architect. She took my author photos! And here she was in a juried show at the Ogden. What an amazing accomplishment!

Selfie with Jennifer’s photo.

As a poet, I was attracted to the artists’ statements. For today’s Poetry Friday, I am sharing an art piece called “Flamingos” alongside a found poem from the artist statement. And her name is Margaret!

Flamingos by Margaret Davis, Ogden Museum, New Orleans, LA.

Like flamingos,
girls embody grace
in uncertainty—
Flood water
a landscape of disaster,
gold emergency
sealed in physical
figures.

Margaret Simon, found poem

Junk journal page

Poetry Friday is being gathered today by Patricia Franz at Reverie.

Happy Poetry Friday! This is the first Friday of September, and my name came up on the spinner to offer a challenge for the Inklings. Honestly, I didn’t have an idea, so I gave it back to the group, and Molly said, “What about kennings?”

A kenning is a figurative compound word that takes the place of an ordinary noun.

I wrote a poem this week from a prompt from The Time is Now to use the line “There is always a ________ somewhere” after Marie Howe’s poem “Chainsaw”.

Hawk in oak tree. (Free image)

Hawk Sighting

There is always a hawk somewhere,
soaring low above the oaks,
hungry and hunting.

You wanted to show me.
You wanted to find the binoculars,
focus on the old oak
and show me the wild thing.

Almost every day I hear the high whistle
of a hawk echoing over the bayou.

There is grief in that piercing call-sound,
wailing for what feels like desperation.

Will you call to me like a hawk
or with a soft whisper-twitter
of a hummingbird?

However you make a call-sound,
I will answer with wonder.

Margaret Simon, draft

How other Inklings met the challenge:

Linda at Another Word Edgewise
Mary Lee at A (nother) Year of Reading

Molly at Nix the Comfort Zone

Heidi at my juicy little universe

Ramona has the roundup this month at Pleasures from the Page.

For September’s Spiritual Journey posts, Ramona asked us to consider her One Little Word, rhythm.

When I think of rhythm, I hear whatever anthem our choir sang on Sunday. This week the earworm is How Can I Keep from Singing, which wasn’t a hymn or anthem, but Zi, our director, played it as an instrumental on the piano. It has stayed with me.

I love these videos made during Covid when whole music was made in isolation.

I love to listen to sacred music when I am playing with collage. I have a discarded hymnal that I tear pages from. Sometimes the lines show through. Playing with collage has given me a feeling of freedom in creativity. I don’t worry about perfection at all. I select elements that please me.

I’ve made junk journal pages and postcards for poetry exchanges. I made the postcards by recycling canned drink boxes. I don’t feel precious about them. They will go into the mail and may get eaten or bent by the journey, and it doesn’t matter to me. I think there is a lesson in this kind of creating. Something sacred I am drawn to, a rhythm of peaceful dreaming.

Postcard collage

Peace is an impractical word
playing well with others
like love
lingering in nature’s golden hours—
sunsets, rainbows…

Peace doesn’t always tell the truth.
Hang on to its tail
dangling like moss on Crepe Myrtle trees
in summer.

Wishing can make it so.

Margaret Simon, draft

How do you feel sacred rhythm? Peace? Creativity?