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Archive for the ‘Poetry’ Category

The Poetry Friday Roundup is here today.
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Each first Friday of the month the Inklings write to a challenge from one of us. This month Linda Mitchell offered the challenge from a post she saw on Instagram: “‘Find a poem you like, or one you don’t like. Write the first 6 lines of the poem. Under each line write your own response. Delete the original lines, use what you have as a beginning for your poem.’ Tusiata Avia #30in30 writing prompt.”

Once I started doing this, I couldn’t stop. Recently I bought The Selected Poems of Wendell Berry. What a wonderful mentor, nature writer, poet. On Substack for “This Photo Wants to be a Poem,” I wrote after “To the Unseeable Animal” my side by side version “To the Shadow Moving.”

For Thursday’s Spiritual Journey post, I wrote beside James Crews.

The most satisfying thing about writing like this is you can remove the original poem because your new poem is unique to you.

To What Flies

(after To What Listens by Wendell Berry)

I see it again lonely 

and alone, the image of the heron 

opening his wings wide 

to fly to the other side, 

no mate will follow, 

no nest to call home. 

From WordPress Free Photo library

I subscribe to Rosemerry Wahtola Trommer’s daily poem. (I also highly recommend her new book Wonderment.) On Sept. 26, she sent out a poem “Sometimes When I am Stuck.”

Sometimes When I am Dwelling

When I feel as if my body
is slowly shutting down,
and my spirit is made of jelly,
when my feelings
go deep as if darkness
dwells within me,
that is when I awake
to an inner peace,
ever waiting my notice, my voice.
That peace is longing
as if whispering words.

Margaret Simon, draft (after Rosemerry Wahtola Trommer)

Please consider visiting other Inklings posts. Link to your own Poetry Friday posts using InLinkz below.

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

Moon Morning

As I walk the old neighborhood,
I note the changes—
the roses that Betty tended are not in bloom,
the tall house sold; young children live there now, toys strewn across the lawn.
Clyde would love knowing them.

Lynn stops me as I pass.
”Do you know me?” He asks.
I can’t recall, but we talk anyway.

The moon hangs on to the morning,
losing its full,
returning to new.

Margaret Simon, draft

Please join me in writing to a photo each week on Substack.

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

On Sunday, a gathering of three women poets in the Bayou Teche Museum drew a small, yet reasonable crowd. I knew when I planned the poetry reading that it wouldn’t be everyone’s favorite vegetable, so I was pleased that the 30 chairs were nearly all full.

After I read, I introduced Liz Burk. Liz and I met on the dance floor; her husband and mine both enjoy going out for Cajun dancing. We’ve run into each other for years and maybe because we are both poets, we had a strong connection, seeking each other out to sit together. One of the joys of retirement is having lunch with a friend. At one of our lunch dates, Liz said to me, “I’d love to read in New Iberia. I’ve never read there.”

I set it up with the curator of the Bayou Teche Museum, and we decided to invite a third poet, Ava Leavell Haymon. We both knew and loved her. Ava, who was Poet Laureate of Louisiana from 2013-2015, lives in Houston now, so we were very excited that she agreed to come.

Liz Burk, Ava Leavell Haymon, and me, Margaret Simon

Liz, who is a transplant from New York to Louisiana, writes a lot of poems about “Learning to Love Louisiana.” Her poems are real, romantic, and witty. Today I am sharing one that was published by One Art Poetry in 2025.

Shards of Light

I have lunch with a younger friend
whose beard is turning to iron—
in compensation, his ponytail
grows longer. We talk and I wonder
if he had ever desired me. I try to keep
such narcissistic preoccupations
tucked away from my awareness,

but they glow now in the dim light
of this restaurant at noon,
that murky gray of a rainy day,
shards of light streaking oblique and harsh
through unwashed windows,
turning everything ashen and pasty.

The young waitress sashays back
and forth, appears to flaunt
her lithe body while I sit lumpy
on the booth banquette. I’ve lost height
from what used to be my waistline up—
the spine undoubtedly collapsing—
it feels like the table between us
is at the level of my chin. I squelch
the urge to ask for a booster seat.

I turn my attention back to my friend,
listen as he recounts his adventures
traversing the country solo
in his new minivan, realize his true desire
lies in his need to tell me his stories.
As for my need to feel desired,
I’m hoping that tiresome burden
will diminish with age—
will it bring mourning or relief?

Elizabeth Burk

Ava read from three of her collections. With Halloween just around the corner, she shared a poem from her book “Why the House is Made of Gingerbread” in which she embodies a character, a woman named Gretel, who takes on the fairy tale as her own childhood story.

It was selected by Lemony Snicket to be included in “Poetry Not Written for Children that Children Might Nevertheless Enjoy.”

The Witch Has Told You a Story
BY AVA LEAVELL HAYMON

You are food.
You are here for me
to eat. Fatten up,
and I will like you better.

Your brother will be first,
you must wait your turn.
Feed him yourself, you will
learn to do it. You will take him

eggs with yellow sauce, muffins
torn apart and leaking butter, fried meats
late in the morning, and always sweets
in a sticky parade from the kitchen.

(Read the complete poem here.)

The poetry reading was a highlight for me. Our three styles of writing are as different as three kittens in a mixed litter, but we each have a passion for the poetic form. When asked if this was the first in a series of poetry readings, I responded, “No!” There are just some things that should happen just once.

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

I follow Pádraig ÓTuama and receive his weekly newsletter on Substack.

This week he wrote about monostitch poems, which are written with one line. His example was a poem by Rafiq Kathwari. There can be much said in a single line when each word is measured and carries weight.

As usual, Pádraig invited his audience to try it and share in the comments. I read through many of them, but this one stood out to me.

When the candle of your best intentions has gone out,

there will be matches in the drawer.

Deborah Cooper

Matches in the drawer

This is my response:

Introducing myself to the hospice nurse,

I hear my mother say my name for the last time.

Margaret Simon, draft

Next month I will be participating in a Walk for Alzheimer’s. Please consider a donation to the cause that is still so close to my heart.

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Ramona has the roundup this month at Pleasures from the Page.

For September’s Spiritual Journey posts, Ramona asked us to consider her One Little Word, rhythm.

When I think of rhythm, I hear whatever anthem our choir sang on Sunday. This week the earworm is How Can I Keep from Singing, which wasn’t a hymn or anthem, but Zi, our director, played it as an instrumental on the piano. It has stayed with me.

I love these videos made during Covid when whole music was made in isolation.

I love to listen to sacred music when I am playing with collage. I have a discarded hymnal that I tear pages from. Sometimes the lines show through. Playing with collage has given me a feeling of freedom in creativity. I don’t worry about perfection at all. I select elements that please me.

I’ve made junk journal pages and postcards for poetry exchanges. I made the postcards by recycling canned drink boxes. I don’t feel precious about them. They will go into the mail and may get eaten or bent by the journey, and it doesn’t matter to me. I think there is a lesson in this kind of creating. Something sacred I am drawn to, a rhythm of peaceful dreaming.

Postcard collage

Peace is an impractical word
playing well with others
like love
lingering in nature’s golden hours—
sunsets, rainbows…

Peace doesn’t always tell the truth.
Hang on to its tail
dangling like moss on Crepe Myrtle trees
in summer.

Wishing can make it so.

Margaret Simon, draft

How do you feel sacred rhythm? Peace? Creativity?

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

I’m not usually a snarky poet, so I surprised myself with my response to Glenda’s prompt on Ethical ELA Open Write: Double Consciousness American Sonnet.

Glenda took inspiration from Terrence Hayes’ book American Sonnet for my Past and Future Assassin. “I lock you in an American sonnet that is part prison,
Part panic closet, a little room in a house set aflame.”

I borrowed the opening line to write about a parking lot annoyance of mine, backing in. The title is a play on words. My grandson asked me if “pissed” was a bad word. Then he playfully asked about “piston”.

Parking Lot Piston

I lock you in your white Ford truck backed in over the yellow line.
You are not my kind, hefty and trumped
on four jacked-up off-road tires
designed to crush little people like me
with your oversized parts.

I won’t hitch up my skirt to take a ride.
I park nose-front & take my time
not to cross the line. I return
the wire buggy to the cart-horse paddock,
flash a fake smile to the sweaty boy
maneuvering the train.

I hold my superiority under my side slung purse
where my soft belly holds verses of quiet fortitude.

Margaret Simon, draft

Free photo

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Poetry Friday is being gathered today by Linda Mitchell at A Word Edgewise.
Our view of the Elwha River and Olympic Mountains, Port Angeles, Washington

When we first arrived in the Pacific Northwest and awoke to an amazing view of the Olympic Mountains from the AirBnB, I thought I would write poetry every day on our trip. That didn’t happen as we got busier with the family, day hikes, town shopping, river rock throwing (children love a good game of throwing rocks). However on that early June morning, I opened Audrey Gidman’s prompts and wrote a poem using a flower as the title, inspired by James Wright’s Milkweed. For the most part, I wanted to capture the essence of place in the amazing peaceful scene of the Olympic Mountains.

Lupine

While I looked beyond the window
lost in blue-green of Crescent Lake,
I sat in longing.
Tall Douglas fir scented the air
of Christmases long ago.

I look up now.
The view is changed.
What was color
is a wild warmth
seeking my sincerity—
a vision of bright red strawberries
sweeter than the sun.

Margaret Simon, draft

Free image, lupine

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Last week I was on vacation with my family in the Pacific Northwest. One of our hikes, The Spruce Railroad Trail in Olympic National Park, included a Poetry Walk. I took pictures of the panels and wrote a found poem from them. I invite you to do the same. Found poems are fun. Write the lines that grab you in some way (an image you relate to, words you love to say) and write them in an order that is pleasing to you.

Here is a draft I wrote in my notebook:

Crescent Lake Found Poem

Stenciled on the petal of a bluebell
the earth remembered me
my thoughts
light as moths
smell like grass and salt
smooth home- the river.
Margaret Simon, draft

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Resurrection Fern on Grandmother Oak

After months of drought, we’ve recently had an onslaught of rain. One of the most miraculous plants in the South is resurrection fern. It has a symbiotic relationship with live oaks. When the air is dry and no rain falls, it’s hardly noticeable, brown and dead looking. However, when we have days and days of humidity and rain, rain, rain, the fern pops up with its bright green fronds covering the branches and living in beauty. It seems to say, “Ah, yes!”

I took this photo of our grandmother oak near the bayou. She is 250+ years old. Her arms drape wide and hold a rope swing that many a child (and adult) have ridden on. She is featured on a live oak tree bike tour that our friend Jim leads every spring.

She’s also made mention of in many of my poems. I never tire of taking her photo or writing about her.

Turning to a random page in “Dictionary for a Better World” by Irene Latham and Charles Waters, I chose a cinquain form. (2, 4, 6, 8, 2)

Sometimes
bravery looks
like fern on an old oak
coming to life only after
hard rain.
Margaret Simon, draft

Please write a small poem today and leave it in the comments. Respond to others with kind encouragement.

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

On Saturday, I went to Moncus Park for the Lafayette Farmer’s Market to sell books. I definitely spent more money on food than I made in book sales, but the spring day was breezy and the park was full of people. A former neighbor stopped by, all grown up and married, hoping for a baby someday, so he bought a book.

Garrett and me in the UL Press booth.

A nearby booth had these exotic birds that were pets. They were bright and beautiful, but I don’t remember their breed. I was struck by how they perched and begged for petting.

On the way to my car which was parked a long way from the market, I noticed the new walking path my friend had told me about.

The developers of Moncus Park have been intentional about planting only native Louisiana plants. The reclaimed prairie was full of life.

Moncus Park Prairie, Lafayette, LA

On my walk I found a sign dedicated to a family that included a beautiful painting and poem by my friend, artist Melissa Bonin. I took a picture of it, then used the image and words in a found poem, prompted by Jessica Wiley and Erica Johnson on Ethical ELA.

Garden Amorphous by Melissa Bonin

Moncus Park Prairie
after Melissa Bonin

sugar harvest sky 
lights speckles of goldenrod, cotton weed
tucked inside a worn pocket.
A dragonfly wraps its wispy-thin legs
atop black-eyed Susan’s eye.

Your place is on the gravel path
listening to red-winged blackbirds,
catching buttercup pollen
on the tip of your nose.

Stories smudged on rock
gather for the retelling,
soft laughter of prairie grass
speaking to the wind.

Margaret Simon, draft

Here are more Moncus Park photos:

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