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Posts Tagged ‘ekphrastic poetry’

Poetry Friday is hosted today by Tabatha at
The Opposite of Indifference.

I have been off this week and joyfully participating in two writing challenges. I truly wish I could do this every day. Writing to prompts makes my creative juices flow. If I write a poem each day, I feel a certain satisfaction that I’ve accomplished something.

This week the Poetry Sisters challenge was to write an ekphrastic poem, which is a poem written to art. Their theme this year is transformation. In the February Project with Laura Shovan, Molly Hogan used photographs of abandoned buildings to prompt us to think about their story. I went to a mysterious place with this image.

Photo by Molly Hogan

I’ve always enjoyed writing about a mystery. In high school, I had a short story published in the school’s literary journal about a portrait in an abandoned house that ended with a question, a mystery. Many in the Facebook group wanted to know more. Mystery is like that. We want to know. I recently heard on a podcast “surrender to the mystery.” I believe that we don’t know all the answers, and we are not supposed to. So let this poem sit with you in all its unknown.

Shattered

She left the curtains
hanging,
the window open,
the cat in the yard.
She left when the air
was warm and damp
fearing her shame
would shatter her dream. 

Margaret Simon, draft

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Poetry Friday is with Jan at BookSeed Studio

This month’s #poetrypals challenge was a new form to me: the cascade poem. I was mesmerized by Molly Hogan’s Slice of Life post on Tuesday. She posted amazing photos of a beach in Maine at sunrise on a very cold morning. I borrowed some words from her post to create a cascade poem about this photo by Molly.

Photo by Molly Hogan

Cascade Golden Morning

Cold. Cold. Single digit cold.
Walking the rhythm of the morning,
Day breaks to molten gold.

Experience moves me. Bold
ripples through me, lifts me.
Cold. Cold. Single digit cold.

Still lost in glory dawning,
toes throb in rebuke,
Walking the rhythm of the morning.

Miniature forests of fairies hold
a treasure chest of sparkling jewels.
Day breaks to molten gold.

Margaret Simon, with words from Molly Hogan

Find more Cascade poems at these poetry blog sites: Molly, Heidi, Mary Lee, Laura, and Michelle.

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Poetry Friday round-up is with Mary Lee at A(nother) Year of Reading.

My writing group is here this week with a new name and a new challenge. Formerly, the Sunday Swaggers, we are now the Inklings. Catherine Flynn challenged us this month to write an Ekphrastic Poem.

From the Poetry Foundation:

Ekphrasis

“Description” in Greek. An ekphrastic poem is a vivid description of a scene or, more commonly, a work of art. Through the imaginative act of narrating and reflecting on the “action” of a painting or sculpture, the poet may amplify and expand its meaning.

A few weeks ago I was participating in #WriteOut, a virtual writing marathon from the National Writing Project. On this visit, we were in San Antonio, Tx. One of the prompts was a work of art by Georgia O’Keefe that is housed at the McNay Art Museum.

Evening Star V by Georgia O’Keefe, from the McNay Art Museum

Evening Star

Texas sky
blooms
into star-gaze
red glare haze
across blue waves–

And there–
a point of light
opens a minor C–
insignificant note
like a dust-speck
glistening then gone. 

Margaret Simon, draft

To see more Inkling ekphrasis:

Molly
Linda
Heidi
Catherine

For #TheSealyChallenge, I have read 5 poetry books. This week I wrote blog posts about Before the Ever After, a verse novel by Jacqueline Woodson, and Ilya Kaminsky’s Deaf Republic, a totally different novel in verse. I also blogged about The Bridge Between Us, a collection of poems about teaching through the Covid-19 pandemic. I’ve read Robert Bly’s Morning Poems and Naomi Shihab Nye’s Cast Away, but haven’t blogged about them yet. I am enjoying this challenge. It’s making me pick up poetry books that I have had on my shelves and never read through. I only heard about this challenge this year, but it’s been around for a few years. Is anyone else doing it? How are you handling and processing?

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I have been following #verselove on Ethical ELA. On Tuesday, teacher-poet Gayle Sands posted a selection of photographs to use for prompts for ekphrasis, poetry about art. I love how looking at art or photography can lead you to a poem, and many times to something unexpected.

Linda Mitchell and I are writing partners in a Sunday night critique group. After I wrote my poem to an image of Alice Paul, I found her poem, a golden shovel about the same photo. I asked Linda’s permission to post her poem along with mine. I think it shows how poets can take a different perspective.

The photo reminded me of my great grandmother who died just shy of her 100th birthday. While mine was more descriptive of the photo, Linda included historical information about Alice Paul and the Sewall-Belmont House.

I always feel the movement is a sort of mosaic.

   ~Alice Paul  to Woodrow Wilson May 2019

The gentlemen from Illinois and Texas, I
am certain, have lost their minds. Women have always
made way for men. It’s 1968. We feel
strength in Sewall-Belmont House since 1929. The
National Women’s Party movement
headquarters is a landmark, it is
not simply ground to lay gravel for a
new Senate driveway on Capitol Hill. What sort
of message does that send to the daughters of
our work? It would destroy the heart of our mosaic

© Linda Mitchell

4/7/20 #verselove

“There will never be a new world order until women are a part of it.”
Alice Paul (1885-1977)

 Alice Paul at Belmont House, 1972.

Alice Paul

Small but fierce
they’d say
about this woman
who wouldn’t be dared.
Hands on hips, head held
high as a carved marble statue
on a pedestal.

Like my great grandmother,
Alice Paul stood in white eyelet
eyes set straight, focused
on the photographer’s lens
like a beam of light daring
him to say,
“Smile!”

Margaret Simon, draft 2020

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Poetry Friday round-up is with Buffy.

Divination drawing pairs improvisational drawing with rationalized writing as a method of discovering layered meanings in thoughts.

John F. Simon
3/12/18 Divination Drawing by John F. Simon

Divination

He fell in love with
the smooth flow
of a pencil
drawing beauty
in lines
becoming shapes
becoming a feminine body
on a 3×5 card.

I fell in love, too.
Her face 
my child Self,
that tender one I lost
and seek to touch again.
I hold her in my hand
like a shell
from an endless shore.

She knows how to love me.
I am slowly learning
how to be loved.

(draft) Margaret Simon, June 22, 2019
ekphrasis on drawings by John F. Simon

I wrote this poem at a writing workshop around John F. Simon’s art show at the Hilliard Museum. The first line was borrowed from Barbara Crooker’s ekphrastic poem on Van Gogh’s Field with Wheat Stacks published on The Writer’s Almanac on June 22, 2019.

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See more posts at Two Writing Teachers Slice of Life
Sculpture by John F. Simon, “Moment of Release”

The empty calendar of my summer has filled up leaving less time for writing. The cure for not getting exercise is to sign up for a class. So the cure for my lack of time to write was to sign up for a class.

At a local museum, The Hilliard, my friend Clare was offering a 3 hour writing workshop. I know from experience with Clare that she offers lots of empty space for real writing. We discussed our writing practices and our familiarity with ekphrastic writing (writing to an image). Then she sent us into the museum to the show of John F. Simon’s work.

I was immediately drawn to the piece in the photo above. It’s large, probably 5-6 feet across by 3-4 feet in width. The title of the work is Moment of Release. I love how the title really doesn’t dictate the interpretation. I gave in to this freedom to explore and released a poem.

Moment of Release

This collection
of energy
stored and sealed
into a protective sheaf
will one day open
the well
spilling contents
of a life–
rain it down
like a delta flood
releasing
to a renewable
Source.

Margaret Simon, (c) 2019

My advice to you is don’t wait for a workshop. Grab a writing buddy and head out to the nearest museum or gallery. If you take pictures, ask permission first. Gather words, images, sounds on the page to transform into a poem or prose. The poem I shared is only one of four I wrote in the hour we were given. I plan to give myself permission to take another artist date this summer. What about you?

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In January I taught a workshop about combining poetry and art with Marla Kristicevich at the Acadiana Center for the Arts. This week Marla posted on Facebook her installation for an art show for PACE artists.  She explained that she gathered material around the Bayou Teche.  Her inspiration for the piece combined the nostalgia for place as well as meditation on nature in art.  The image does not show the scale of the work.  Imagine the height of the walls are the size of a person. Today I’m sharing an ekphrastic poem, a poem inspired by art.  You can see the exhibit at the ACA through June 8th.

Nest by Marla Kristicevich

 

An Invitation

Come into my nest.
Enter on a woven path.
Stop for a sip of living water.

Leave nothing
behind.
Just pause,
reflect,
release,

Then move on
so someone else
can move in.

–Margaret Simon (draft) 2019

 

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National Poetry Month 2018

Moon Song by Lisa Kattenbraker

Seven Ways to Touch the Moon

Reach.
Be still.
Ride the tide.
Climb on a branch.
Read a moon story.
Look beyond horizons.
Play your instrument for her.

–Margaret Simon

Today is Poem in Your Pocket Day. Are you carrying a poem?  Today I will carry two poems, one in each pocket.  I hold Naomi Shihab Nye’s poem Kindness.

Before you know what kindness really is
you must lose things...


I will also hold a poem from one of Kim Douillard's students, Avi.  
She posted this poem on her blog, and it touched me.

Poetry Is

Poetry is like the last rays of sun on a sunset

it leaves with beauty and sadness at the same time

poetry is like a song that sings forever

and when you forget

it will always whisper back.

Avi

 

 

 


					

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This April, Renee LaTulippe of No Water River is hosting a wonderful month of poet visits and writing prompts. I saw a tweet about a prompt by the infamous Jane Yolen which drew me in.  She suggested that we all have topics that we go back to again and again.  (Mine is the bayou, of course.) She posted a poem in three acts and prompted us to write a poem about our favorite topic in three acts.

Since I am writing ekphrastic poetry, I searched for the just right image for a poem about the bayou.  My friend (and cousin, by marriage) Marjorie Pierson is a fine art photographer.  The wetlands is a common theme in her photos.  I think her photos are poems. Even though she lives in North Carolina, she visits South Louisiana often to be with her mother who happens to live across the street from us.  Today I am featuring her image titled “Cypress in Wind.”  To see more from Marjie, go over to her website.

 

 

Cypress in Wind by Marjorie Pierson.

Bayou Performance

Act I:

Dawning sun
plays peek-a-boo
with cypress trees.

Act II:

Breeze builds, waves
rippling, Baldcypress needles
helicopter down.

Act III:

Line of light
drawn from tree to tree
traffic light to the day.

–Margaret Simon (c) 2018

 

 

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National Poetry Month 2018

Heron in Flight by John Gibson

After Wallace Stevens, Thirteen Ways of Looking at a Blackbird. 

 

I.

Taking flight,
one heron, great and blue,
lifts on kite-wings.

II.

At daybreak, he stalks
early risers
stealthily staring
at the water’s surface.

III.

The heron looks long
at his own reflection,
beauty knows beauty.

IV.

Straight as an arrow on a hunt
for its mark, heron’s beak
pierces the sky.

V.

Sun beams dance on waves
winking at heron’s stature,
inviting his participation
in the day.

VI.

My totem, Heron,
teach me
your lessons of grace.

VII.

As evening falls, heron
circles back
to tell me good night.

VIII.

Times with heron
I value silence
and know God.

IX.

Heron’s squawk
scrapes on Goose’s last nerve.
A cacophony on courthouse steps.

X.

At the sight of heron flying,
barely skimming water’s surface,
even playful children
stop and admire.

XI.

Heron lifts his wing
to preen like an awkward teen
crumples over his tall body
to tie his shoelace.

XII.

A storm raged during the night,
heron stood still
never losing his grip
on the fallen log.

XIII.

I haven’t seen Heron for days.
He will return. He may not return.
The light on the lake fades.

–Margaret Simon (c) 2018

If you are interested in joining a photo-poetry exchange I am hosting, click here.

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