I am in a comfortable space on Heidi Mordhorst’s front porch for our long awaited Inklings retreat. We’ve been meeting on Zoom as a writing group for around 10 years and this is the first time we’ve been together in person. Heidi’s front porch welcomes the morning sun and is a perfect place to sit with coffee and type a PF post.
I don’t always participate in the Poetry Sisters’ challenge; however, this month’s prompt is a favorite of mine, Pádraig Ó Tuama’s Pantoum.
July Sings, Sizzles
Cicada song sizzles with rising heat. My neck sweats, wet like a glass of iced tea. I feel my body slowing down. Even the birds stop singing by ten.
My neck’s wet like a glass sweats. Shade just an illusion of cool. Even the birds stop singing by ten. Yet, today I release another butterfly.
Shade, an illusion of cool, waits for grief like the great blue heron he drew. So today I release another butterfly. I had a dream he returned like the sun.
Grief is the great blue heron he watched. I feel my own body slowing down. I had a dream he returned as my son. Cicada song rising with the heat.
Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.
Poetry Friday is hosted today by Marcie Flinchum Atkins, who has a new book coming out on Tuesday, When Twilight Comes.
For the last Friday of the month, the Poetry Sisters offer a challenge. I wanted to give it a try. The form is Ovillejo, a Spanish form described here.
In Pádraig Ó Tuama’s Substack this week, he posted a poem from Rainer Maria Rilke that began with the line “God speaks to each of us as he makes us.” I love this idea of God, intimate and personal. To get started on the Ovillejo, I borrowed this line. As I worked with the syllable count and rhyme, it changed somewhat.
Belonging
After Rainer Maria Rilke
God speaks fondly to each of us, makes each of us.
Birds respond to God’s call with song— You belong.
Set the paddle deep into water, my daughter.
Stop messing with what doesn’t matter. Sit with God and speak in silence. God knows your peculiar cadence.
Like each of us, you belong, my daughter.
Margaret Simon, draft
Twilight on Lake Lanier, Georgia
Our host, Marcie, asked us to post a favorite picture and poem of twilight to celebrate her new book. When I searched my blog history for a twilight poem, I found last year’s Kidlit Progressive Poem.
April Runs Over
Open an April window let sunlight paint the air stippling every dogwood dappling daffodils with flair
Race to the garden where woodpeckers drum as hummingbirds thrum in the blossoming Sweetgum
Sing as you set up the easels dabble in the paints echo the colors of lilac and phlox commune without constraints
Breathe deeply the gifts of lilacs rejoice in earth’s sweet offerings feel renewed-give thanks at day’s end remember long-ago springs
Bask in a royal spring meadow romp like a golden-doodle pup! startle the sleeping grasshoppers delight in each flowering shrub…
Drinking in orange-blossom twilight relax to the rhythm of stars dotting sky as a passing Whip-poor-will gulps bugs We follow a moonlit path that calls us
Grab your dripping brushes! Our celestial canvas awaits There we swirl, red, white, and blue Behold what magic our montage creates!
Such marvelous palettes the earth bestows When rain greens our hopes, watch them grow, watch them grow!
This month the Poetry Sisters challenge was to write a tricube. The tricube form is 3 syllables, 3 lines, 3 stanzas.
Molly Hogan sent me the list of prompts from the MoSt Poetry Center. The prompt I used was this:
“Write a poem of presence, in terms of being in a particular place and time, or of having a dynamic demeanor (such as in “stage presence”) or a feeling of an unseen spirit. Here’s an example by Arthur Sze, our new U. S. Poet Laureate:
Every year as I begin to set intentions, I get the universal message of presence. I feel presence is essential to peace of mind, but it is difficult to find.
I have a new kayak. Taking the kayak out took some initiative and help from my husband hero. Jeff had the grandkids in the canoe. When I wanted to try to get the kayak out of the water by myself, my grandson Leo said, “Prove it.” That was all the challenge I needed to pull the 60 pound vessel onto the dock. I did it.
First kayak adventure in “Chrysalis.”
Here after Arthur Sze
Be here now Here frog croaks Here wren calls
Be here now Here stalk grows Here tea steams
Be here now Here oar strokes Here strength comes
Margaret Simon
I want to thank Tabatha Yeatts who offered on Poetry Friday last week to do an art piece for our 2026 words. I took her up on the offer. I’m touched and amazed at how this speaks to my intention for the year as well as the tricube I wrote.
This month’s Poetry Sisters challenge was to write a poem form called a raccontino, a poem of any number of couplets in which the odd-numbered lines (along with the title) tell a story. Even-numbered lines rhyme. This was a totally new form to me, so I looked for inspiration in an obituary, of all things. I liked how the woman was described as leaving a legacy of kindness. Who among us would not want to leave that kind of legacy?
She Leaves laughter and abiding love, a generous spirit echoing silly songs.
Her family holds her legacy. When every heart longs
to be of some use, of a place she belongs,
there is only kindness that lasts, healing all wrongs.
I don’t often join the Poetry Sisters challenge, but I felt this month’s was within my reach: a tanku which is a tanka in conversation with a haiku. I recently attended a workshop, Write Bites with Georgia Heard and Ralph Fletcher. Georgia’s writing prompt was to write about a word. One suggestion she had was to have a conversation with the word. That draft led me to create a tanku around one of my two words for this year.
Believe
What do I believe? Remove my rear view finder Need a reminder– blinders to understanding, “I don’t believe you heard me.”
I say to the wind; It says, “I believe in you. That’s true, you will see.”
Poetry Friday is hosted today by Irene Latham at Live Your Poem.
This last Friday of September, the Poetry Sisters called out a challenge based on Wallace Steven’s Thirteen Ways of Looking at a Blackbird. I enjoy puzzling together ideas into poem forms. In the model poem, Stevens uses few words in each stanza to convey a single emotion or thought.
I became intrigued by the idea of looking at grandchildren, not a single one, but the idea of having a grandchild. I have three daughters, and have been blessed with 4 grandchildren, ranging in age from 5+ years to 21 months. Each of my daughters have had at least one miscarriage.
To write this poem, I started using sticky notes, I carried the collection around for a few days. It worked well for separating each one and arranging them into some logical order. Thanks to my Inklings’ honest feedback, I am ready to publish this poem here, but I’m not leaving it. I want to feel that it will grow as my grands grow and reveal more to me about this amazing journey in grandparenting.
Ways of Looking at a Grandchild
I. Grandmother Mother Daughter 3 in 1 1 in 3 Egg to egg to egg
II. Cut the cord connection broken New bond forever woken.
III. Cells divide. Divide again. Sometimes there is no heartbeat.
IV. The way a mother looks at her child with purest adoration– A bloom of a flower planted long ago.
V. Golden curls, crystal blue eyes– Precious gems to hold.
VI. Hand sign three fingers I Love You
VII. One day she’s Ariel another Anna, Batman, Spiderman— always a fierce girl wonder.
VIII. Whose eyes are these? I think I know. I’ve seen them from a portrait glow.
IX. Whispers at bedtime “Sing me the song you sing” A grandmother’s lullaby.
X. Curve our bodies together and turn pages of a book, We enter a magical place.
I was inspired by Michelle Kogan who wrote a pantoum for a hippo. I recalled the hippos of my Africa tour in 2016. I’ve been reading Margarita Engle’s verse novel Singing with Elephants. I collected lines from the verse and went to work on the pantoum form. This form is like a puzzle. Michelle fit hers together with rhyme. I didn’t use rhyme. When I googled pantoum, there doesn’t seem to be a rule about rhyme or line length. The rules show that each stanza is four lines with this pattern: (1,2,3,4) (2,5,4,6) (5,7,6,8) (7,3,8,1)
The Poetry Sisters respond to a challenge on the last Friday of the month. This month they are writing animal pantoums. Our host Tricia has more about the form and links to other Poetry Sisters posts.
The beauty of an elephant’s hum-hug, a language as common as buzzing bees, simple as spending time with kindness. Elephants embrace us with their music.
With a language as common as buzzing bees, I can catch good luck as it passes. Simple as spending time with kindness, these animals move like magical mountains.
I catch good luck as it passes: Photo from Africa is a touchstone of memory. These animals move like magical mountains with a touch of heavy gentleness.
My photo from Africa is a touchstone of memory, as simple as spending time with kindness– A touch of heavy gentleness– the beauty of an elephant’s hum-hug.
Margaret Simon, with thanks to Margarita Engle and PÁDRAIG Ó TUAMA.
I wasn’t planning to post for Poetry Friday today, but I’ve been playing with the elchen form (also known as elevenie), a challenge from the Poetry Sisters. Mary Lee shared the Wikipedia definition of the form. I wrote one last week for This Photo Wants to be a Poem.
While my family has been vacationing in the mountains of North Georgia, coincidentally the words of the day in my email inbox have worked for elchen play.
slippers warm toes on cold mornings this winter’s saving grace hygge*
Word of the day: hygge- A quality of coziness and comfortable conviviality that engenders a feeling of contentment or well-being (regarded as a defining characteristic of Danish culture).
Pack suitcase, car drive all day family voyage to mountains viator*
*Word of the Day 12/26/23 Viator traveler, wayfarer
Light still shines in your eyes sea glass blue joy luminaria*
*Luminaria is a lantern typically used at Christmas.
Leo (5), Mamere, Stella (3), Thomas (4)
Wayward wanders hopeful small mountain town ice cream with sprinkles gallivant*
*Word of the Day 12/29/23 Gallivant: Go around from one place to another in the pursuit of pleasure or entertainment.
Today’s photo is a sign of the season, a lit up Christmas tree yard decoration in my neighborhood. I’m an early morning walker and the combination of the darkness and the cold drew my eye to this yard filled with lights. I know the couple who live there, so I was also comforted by their presence, too, inwardly thanking them for this photo opp.
Moss tree with twinkle lights by Margaret Simon
Recently I learned about a new-to-me poetry form, elfchen, from Mary Lee. It’s a fun form to play with, similar to a cinquain, yet each line answers a question. Another word for this form is the elevenie. Being a fan of the number 11 (my birthday and my father’s fall on the 11th), I wanted to give the form a test run.
Row
Words
Content
1
1
A thought, an object, a colour, a smell or the like
2
2
What does the word from the first row do?
3
3
Where or how is the word of row 1?
4
4
What do you mean?
5
1
Conclusion: What results from all this? What is the outcome?
From Wikipedia
Moss Ghost Tree
lights colorfully twinkle brighten winter’s darkness with a firefly-tree delight
Margaret Simon, draft
How are you handling this winter’s solstice? Do you put up lights in your yard? Take this invitation to write about your own traditions for this time of year. Leave a small poem in the comments and encourage other writers with your responses. Thanks for your dedication to this weekly practice.
I will not be posting next Wednesday. I’m taking a family trip to North Georgia. This Photo will be back in the New Year. Have a Happy Holiday!
The round up today is with my friend and fellow poet, Jan at Bookseed Studio.
I am a firm believer that reading poetry begets more poetry. See Billy Collins’ poem The Trouble with Poetry. He understands the problem. Last night I was reading Pádraig Ó Tuama’s book of essays about poetry, Poetry Unbound. I had in the back of my mind the Poetry Sisters’ challenge for this month, a monotetra form about transformation. Mary Lee, a fellow Inkling, presented us with this challenge. Today she shares a monotetra about the pools in her life.
Yesterday I was surprised by 10 monarch caterpillars on some volunteer milkweed near my AC unit. They’ve nearly eaten it all!
At first when I read the essay about the poem Worm by Gail McConnell, I was not inclined to enjoy it. I mean, an earthworm as the topic of a poem? But of course as he does every time, Padraig pulled me in and helped me see it for more than its surface appearance. I found myself swimming in his words and then writing a monotetra right there in my bed into my Notes app. This is only the second draft, but I’m putting it out there for you all to dig into (pun intended).
This poem’s worthless worm making air holes with its muscle shaking burying this compost wasting ground is quaking. Ground is quaking.
I dig in with sharp fingernails. Worm remembers for whom it hails. Give me breath to survive this frail time to heal. Time to heal.
Margaret Simon lives on the Bayou Teche in New Iberia, Louisiana. She is a retired elementary gifted teacher who writes poetry and children's books. Welcome to a space of peace, poetry, and personal reflection. Walk in kindness.
Reflections on the Teche 