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Posts Tagged ‘Acadiana Center for the Arts’

Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

Art enriches our lives, helps us see new perspectives, and makes us proud.

Last week was the yearly City of New Iberia’s Plein Air competition. It happens every year in March and is usually good for a slice or two.

This year we did not host an artist, but we were invited to the preview art show on Thursday evening. While tapping our feet to the band on stage, we sauntered through the show.

Of course one caught our collective eye. New Iberia has a few iconic bridges across the bayou. This painting by Karen Philpot was a “quick draw” which means she did it in two hours. It still smells of the oil paint. I love how Karen scratched into the paint to create the lines.

Karen is so happy we bought her painting of the Daigre Bridge.

On Saturday I went to downtown Lafayette for the Student Arts Expo at the Acadiana Center for the Arts. Leo, Stella, and their dad met me there. We found Leo’s art work of the Jackrabbit.

Jackrabbit by Leo, kindergarten

Both of them enjoyed making a clay pinch pot.

Leo and Stella listen to directions for making a clay pinch pot.

Leo has been evaluated and will be entering the art talent program next year. I’m proud of the artist he is and is becoming.

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Yesterday afternoon I went to a workshop at the Acadiana Center for the Arts led by my mentor and friend Darrell Bourque. In the large gallery space was the show In Medias Res: How One Story Becomes Another, a collection of paintings from his collection accompanied by the poems he wrote to them. Darrell first introduced me to eckphrastic poetry years ago. This piece of painted canvas was among a pile of canvases in a writing station within the gallery.

The instructions read “Mystory: Turn no to yes”.

I love how the smashing of my and story looks like the word mystery. What mystery is hiding your true story? What story in your life turned a no into a yes?

During the workshop, I received an enticing text invitation to an Argentinian dinner complete with tango lessons. I said yes without even asking my husband. I knew yes would be his answer, too.

Today
we imagine
an eager sunrise
spinning a new story
Tango

daily elfchen, Margaret Simon

What mystery/mystory do you have waiting to expose? What emotions does the abstract painting stir for you? Please leave a small poem in the comments. Remember to write encouraging responses to other writers.

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

I have lived in South Louisiana for 40 years, but had never attended the authentic Courir de Mardi Gras. Courir is a French Cajun word meaning run. In the western parishes north of us, there are multiple small towns that have a chicken run. The basic idea is the krewes are going house to house to get all the ingredients for a gumbo. The final ingredient is a chicken. The chicken run is a crazy, wild drunken race to catch the chicken.

I introduced this cultural tradition to my students, and we did chicken art on the Thursday before our Mardi Gras break. We followed a video created by the Acadiana Center for the Arts linked here. The chickens were created using recycled materials. In Courir de Mardi Gras, the costumes are made with scraps of fabric and masks are made with screen. It is the total opposite of New Orleans Mardi Gras which is all about royalty and elaborate beautiful costumes. Courir de Mardi Gras has a captain rather than a king who leads the krewe.

My husband and I became interested in Courir from a performance we saw at the  Acadiana Center for the Arts. We decided to go to the parade in Eunice when all the krewes come in, some on horse back. My daughter, son-in-law, and grandkids joined us. We had made some costumes by adding fabric patches and fringe to old clothes. I used an old scarf, some sparkling jewel tape, and an old denim shirt. As the parade came through, Leo was poked (in jest) by a couple tricksters; one of them untied my shoelaces. Afterward there was a band we love to hear and dance to, Steve Riley and the Mamou Playboys.

I have to admit I was a bit creeped out by the chickens. I refrained from petting one. They walk close to the crowd to allow for petting. The chickens are surprisingly calm. I gasped when I saw a dead one on the ground. And to top it all off, a woman was wearing a taxidermic chicken on her head. While the band was playing, some of the tricksters got on the stage and threw a live chicken into the crowd. Luckily, I was not close by.

Learning more about the culture of my own state is fascinating and fun. I’m also trying to accept some of the craziness of it all. For the most part, it is harmless fun.

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.
Time collage by Linda Mitchell

This month I am participating in Laura Shovan’s February poetry project on Facebook. The theme this year is Time. This beautiful collage made by Linda Mitchell was our prompt on Monday. So much to write about, but I focused on the couple dancing. This weekend my husband and I were dancing to one of our favorite bands, Steve Riley and the Mamou Playboys at an event at the Acadiana Center for the Arts. Opportunities to dance have been few during the pandemic. We were a little rusty, but so happy to be out there again. A nearby friend captured a photo of us on the dance floor.

Time in a Picture Frame

The photographer shutters the moment
mid-glide of a waltz. 
You were smiling at him 
in the way a person whose known someone for a long time-
familiarity mixed with joy.

In your mind’s eye, the planets spin an orbit of protection.
No matter what,
the photo
will always show joy. 

You do not know when loss
will reveal something else hidden there-
a child looking on
or the tail of an astronaut’s lifeline. 

Today it is enough
to smile. 

(c) Margaret Simon draft

Jeff and Margaret dancing

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

The world always seems brighter when you’ve just made something that wasn’t there before.

Neil Gaiman
Art wall selfie

I believe that art is for everyone. Even a 2 year old. I heard that the Acadiana Center for the Arts had free exhibits, so I packed up Leo (after a stop at CVS to get him a mask), and we made our first visit ever to an art museum. The first of many to come.

Leo, like many 2-year-olds, is learning about his world and naming things. He recently started saying, “What’s that?” In art, “that” can be open for interpretation, so I’d say, “What do you see?” He saw birds, crabs, and even dinosaurs. One large abstract painting made him say, “Scary!” I asked him what he saw that was scary. He named things in the painting that I didn’t see. Imagination beginning!

In one gallery, there was a table with an outline of a diamond shape, colored pencils, and scissors. We colored together and added our masterpiece to the art wall.

In another display there was a painted piano. He loved sitting on the stool and playing the “key horse.” I learned later that he was trying to say keyboard. I told him it was a piano, so he repeated, “pinano!”

I have joined Michelle Haseltine’s #100DaysofNotebooking. On our art date, Leo and I made a notebook page using washi tape, flair pens, colored paper, and poem seeds. Our poem captured Leo’s curiosity and wonder.

One
Twinkling Star
Looking

Making art in my notebook, Leo style.

Inspiration: Not everyone has the advantage of spending time with such an enthusiastic observer, but consider taking some time to go to an art museum or play in your notebook. You’ll be happy you did!

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In January I taught a workshop about combining poetry and art with Marla Kristicevich at the Acadiana Center for the Arts. This week Marla posted on Facebook her installation for an art show for PACE artists.  She explained that she gathered material around the Bayou Teche.  Her inspiration for the piece combined the nostalgia for place as well as meditation on nature in art.  The image does not show the scale of the work.  Imagine the height of the walls are the size of a person. Today I’m sharing an ekphrastic poem, a poem inspired by art.  You can see the exhibit at the ACA through June 8th.

Nest by Marla Kristicevich

 

An Invitation

Come into my nest.
Enter on a woven path.
Stop for a sip of living water.

Leave nothing
behind.
Just pause,
reflect,
release,

Then move on
so someone else
can move in.

–Margaret Simon (draft) 2019

 

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See more posts at Two Writing Teachers Slice of Life .

 

Last week I collaborated with artist Marla Kristicevich on a workshop for teachers designed around poetry and art collage.  The workshop was part of the Arts in Education professional development series held at the Acadiana Center for the Arts.

After I presented about finding elements of poetry in my poem “I am a Beckoning Brown Bayou,” Marla shared how she had taken words from 3 different poems from my book Bayou Song, and circled words that represented an element of art.  She then created a magazine collage to reflect those words and images.  While Marla’s complete presentation was in a PowerPoint slide show, the part that touched me were the amazing and beautiful collages she had created from my words.

Marla’s collage from interpreting the poem There is Always.

We had 12 dedicated teachers attend, and they enjoyed the time to sit and create with materials from magazines, painted paper, and other scraps.  The collages were varied and lent new meaning to the poems we worked with.

Then I led the teachers in writing their own poem by gathering new words from their own collages and selecting a form to use.  My hope is these teachers will take what they learned, their joy of playing with words and art, and bring it into their classrooms, but more than that, my poet’s heart was touched by the way my poems from Bayou Song led to more poems.

Collage from “There is Always” by Cissy Whipp.

 

Cissy’s Poem

Dance/Nature Triptych

I.

My dance is in the way
the leaves calmly curl and crinkle
under my feet.

II.

My dance is in the water
rippling, rising, rushing
around my ankles.

 III.

My dance is in the place
between land and water –
the muddy, mysterious marsh.

 

Finding the poem inside.

 

Kay chose the I Am form to use when her collage revealed things about herself.

Kay’s collage from the poem There is Always.

Hands Up High

Kay Couvillon

I am fiery red in summer beach walks,
I become lavender peaceful
with restorative yoga.

I hold my
hands up high
to the lights of
love, trust, dance, and
cold beer.

I am an
E. Broussard eagle
in awe of the
bald eagle’s nest.

I sway in the
wind of the leaves after
hibernating when I feel like
torn cardboard.

I love red, pink, and scented
geraniums in clay pots from
Mother Earth.

 

 

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Poetry Friday round-up is with Erin at The Water’s Edge.

 

I am in the process of planning a workshop for teachers for the Acadiana Center for the Arts to be held on October 11th. When I met with my teaching partner, artist Marla Kristicevich, we discussed creative ways a teacher/writer/student could respond to my poems in Bayou Song.  I loved her idea of creating magazine collage.  I wanted to give it a try myself and with my own students.  The collages are as diverse as the students themselves.  

From the collages, we then wrote an I am poem.  For this, I offered sentence stems to get the ideas flowing.  Today, I am posting one of my collages and poem along with Madison’s.  Madison wanted to use a unique word, so we looked through what I call “the big whopping dictionary,” a two book set my daughter bought me at an antique store.  Madison found the word reliquary, and we had a discussion about the metaphorical use of a river as a reliquary.  I love what she did with her poem.

 

I am a silver-tongued storyteller.

I wonder where my path leads.
I echo laughter, tears, and songs.
I watch the sun, moon, and stars.
I call your name.

I am a silver-tongued storyteller.
I remember tales of old.
I nurture time and treasures.
I say the heart is true.
I hope you’ll hear my call.

Margaret Simon, (c) 2018

 

I am a Rambling River Reliquary

I wonder if I can ever turn back.
I echo the past.
I watch the present.
I call for the future.
I wind a wide bend.
I touch every memory.
I nurture your thoughts.
I want to never stop.
I remember the crashing thunder.
I say ” Swshhh, rrww! ”
I tell the wind my tales.
I hope I can find more.

Madison, 5th grade

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  Join the Two Writing Teachers Slice of Life Challenge.

Join the Two Writing Teachers Slice of Life Challenge.

I’m taking a break from the ABC’s of poetry to take you to a room. On Saturday at the Acadiana Center for the Arts, Valentine Pierce, a performance poet from New Orleans, presented a workshop for Acadiana Wordlab. She is a force in a room. She performed a few of her poems and had me rapping out the beats of my words as I tapped the pen to the page. For one of her prompts, she asked us to write about the room we were in. When I first walked into the room, Clare and three other women were wearing red. I commented, “I didn’t get the memo to wear red.” And then Clare introduced Valentine. So thus began my poem about the room.

A glance around the corner at the boardroom.  ChipperHatter Architects

A glance around the corner at the boardroom. ChipperHatter Architects

This Room is for Writing

I did not wear red today
to honor sweet Valentine.
I am wearing green
like the peridot of my birthstone.

I didn’t expect to give birth today
here in this blood-red chair
that pushes back on my shoulder slump.
Sit up, girl, and write a poem!

Shout it out like the rockets
speeding off the racetrack of the wall.
Lay your life down on the black boardroom table.
Place your heart on the frosted glass.

No one will mind if you cry a little.
They are crying, too,
for their children, their crazy aunts,
and for that empty beige wall

waiting for someone’s art
splattered in paint,
dripping down to the carpet
under our rock hard feet.

We stand sure;
All of us together
know that I will not be shamed
for not wearing red.

–Margaret Simon, all rights reserved

Please check the progress of the Progressive Poem in the right bar. I am coming up in 2 days!

The Writing Process Blog Tour continues with Clare Martin at Orphans of Dark and Rain.

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