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Archive for April, 2018

National Poetry Month 2018

 

See more posts at Two Writing Teachers Slice of Life .

 

My students and I have been writing to Amy Ludwig VanDerwater’s daily prompts at The Poem Farm.  I usually write alongside my students, so some days I have three poems done because I teach 3 different groups of kids.  On Monday, when we were writing using word play, I started writing at school number one about bees.

Dawson, 4th grade, helped me think about rhymes.  He told me that bees carry pollen in their mouths and spit it back and forth with other bees until it becomes honey, thus “honey primers.”

I turned to bee research and RhymeZone.

At school number two, Chloe, 2nd grade, told me that a bee’s dance is called a waggle.  Google confirmed it.

Last month, I had a bee incident in my classroom at school number 2 that caused a curse word to come out of my mouth, thus “cursing singer.” This incident happened in March, so I sliced about it here.

My students responded with pleasure at my completed poem.  They exclaimed “Boomchakalaka.”  Great word play for the ending!

 

Bees
hullabaloo
on flowering trees
humming,
drumming,
buzz-strumming.

Bees
hokey-pokey
through pollen fields
persnickety climbers,
expert mimers
honey primers.

Bees
waggle-dance
in the hive
insect communication
tapping out dictation
pointing to a destination.

Bee–one bashful bee
squirming
in my hair
angry stinger
hand slinger
cursing singer.

Boomchakalaka!

I am writing ekphrastic poetry this month for National Poetry Month.  Michelle Kogan is an poet-illustrator I’ve met through Poetry Friday.  Usually I start with the image to inform the poem.  This poem came before the illustration, but I knew Michelle would have one that fit just right. Thanks, Michelle.

Towering Tulip by Michelle Kogan. Click image to see Michelle’s website.

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#NPM 2018: Horse Races

National Poetry Month 2018

Horse Races

This drawing has been in my files since the beginning of the month.  I’ve passed over it again and again, not because I don’t love it, but because I have no experience with horse racing.  I mean, none!  I’ve never been to a horse race.  I’ve never watched horse racing.  It is a total foreign experience to me.

To enter into this drawing, I turned once again to Susan Goldsmith Wooldridge and PoemCrazy.  She writes, “Poetry is a form of deep ecology, allowing us to experience the interdependence of everything on earth.”

Horse Race

Can you feel the beat
of the earth beneath
their feet?

Pounding horse hooves
in the wake
of the news.

Head down, focused strength,
we’ve all been there,
not knowing the outcome,
energy in the air.

Hold on tight.
This ride will be breathtaking.
Don’t let go.
The race is earthshaking.

Ride it out!

–Margaret Simon (c) 2018

 

 

 

 

 

 

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National Poetry Month 2018

Still Life by Sarah Hazel

My good friend, Sarah Hazel, is an artist in Houston, Texas. She answered my call for paintings for this poetry project. You can find her amazing oil paintings here on her website.

I get my inspiration for writing from many places. From Poets & Writers comes The Time is Now with a poetry prompt each week. This week we were prompted to write after e.e. cummings Spring is like. I borrowed the line “Spring is like a perhaps hand.”

Spring is like a perhaps hand
holding high
a watering hose
drenching earth new,
green-blown grass,
soil growing soft
and sensual.

Spring is like
a perhaps hand placing
flowers in a vase
centered
on a plate of green salad,
tall and tender
without thunderous applause.

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National Poetry Month 2018

 

Garden of Eden

Garden of Eden

My dog lies heavy as the storm moves through.
Worry keeps him close.
Rain streaks the window with tears.
We are safe inside.

Infinite line of tangled roots and vines,
God’s garden grows wild.
Endless labyrinth of life to life.
We are safe inside.

–Margaret Simon (c) 2018

Commentary: In this poem, I began with what was happening in the moment.  A storm was pounding, and my dog was afraid.  I held him on my lap.  As he relaxed, much like an infant, he became heavier on my lap.  I then moved to the drawing for interpretation.  I saw the white lines as the lines of connection of humanity.  When I looked for a synonym for connection, I found labyrinth which alliterated with life to life.

From PoemCrazy #25: “there may be a measurable field of energy for the buzz of life around moments and things.  Poems are alive this way. When a poem comes to me I have to tend to it like a small fish, a possum, a snake or a puppy, depending on the poem.  It’s often kicking and unruly.”

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National Poetry Month 2018

Poetry Friday round-up is with Robyn at Life on the Deckle Edge.

 

Today the Kidlitosphere is celebrating Lee Bennett Hopkins’ 80th birthday.  Click the Poetry Friday button to go to Robyn Hood Black’s site to see more posts for this celebration. How fun to light up cyberspace with candles and confetti!

 

Lee Bennett Hopkins is well known as an anthologist.  He collects the best children poets and puts them together in unique ways.  His most recent collection is World Make Way. 

World Make Way

This book is a collection of ekphrastic poetry, poetry about art from The Metropolitan Museum of Art. The book opens with the following quote:

Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.

Leonardo da Vinci

This month I’ve been writing poems about my father’s art and this quote speaks to what I believe to be true;  My father’s art is poetry that is seen.

Lee’s poetry collections are a canvas for poets, a place to find words that can be felt rather than seen.  To write my poem today, I have chosen a line from Early Evening by Charles Ghinga.

Steamboat by John Gibson

 

Coming Home

We are coming home
stretched across a canvas of time
waiting for steam to rise

into still humid air.
We carry a load
of dreams from far

away where seas meet rivers.
We are born of the river,
her muddy banks birthed

strength to carry us
through toil and trouble
all the way home.

–Margaret Simon (c) 2018

 

 

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National Poetry Month 2018

 

Riverbank

 

Riverbank (Upside down)

A wild forest lives
in the reflections
on Riverbank.
A forest of trees to swim in,
a bouquet of trees,
and the moon there.
See it winking at you?
The moon draws us into
where a wild forest lives.

–Margaret Simon (c) 2018


PoemCrazy #24: “I sometimes think poems come from electricity in the air, a hum inside, impulses we can feel in our body…Stand on your head for as long as possible. Notice details upside down…Do anything new.” (p. 88, 90)

With my students, I am presenting Amy Ludwig VanDerwater’s daily poetry prompt on her site The Poem Farm.  Yesterday we wrote using circular structure.  This poem uses that structure because I felt the echo worked well with looking at the drawing upside down.

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National Poetry Month 2018

 

After Vespers by John Gibson

 

The mist calls them forth
from Vespers into evening.

Prayers echo like bells,
rising like incense before them.

Brother Anselm hums Hodie
holding tones with his breath.

Together they pray, again and again
invoking blessings, psalms, forgiveness

for a world in peril, a world outside the mist,
a world released from her sins.

Now, Lord, let your servant depart in peace.

Commentary:
This drawing is set at St. Joseph’s Abbey near Covington, LA. where my father’s best childhood friend, Billy, was a Benedictine monk.  Brother Anselm, as he was named in the Abbey, is the short one in the drawing. I remember fondly visiting him there.  He was a musician, organist and cantor, so I can imagine him humming after the service.  He also had a hilarious, ironic wit that I couldn’t capture in this poem.  Brother Anselm died a few years ago, but his spirit lives on in the music of St. Joseph’s Abbey.

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National Poetry Month 2018

See more posts at Two Writing Teachers Slice of Life .

 

Afternoon Light by John Gibson

Sometimes it’s in the details of the day,
these spokes of wheel, pattern of brick, leaf fall.

Sometimes it’s the conversation you hear,
standing by, eavesdropping, that gossip-talk.

Sometimes it’s the way you walk to and fro,
wandering through tall grass and stepping into light.

–Margaret Simon, (c) 2018

“A poet needs to keep his wilderness alive inside him.” Stanley Kunitz

As I write a poem every day to my father’s incredible art, I feel unworthy, like a child waiting for a parent’s approval.  When I wrote the poem above and many of the ones I’ve done this month, I hear the echo of a first line in my head.  I go with it and follow it through the path to a poem.  Sometimes I don’t think it’s really me writing.  More like scribing.  The Stanley Kunitz quote above speaks to this wilderness inside me where poems live.  I’ve decided to trust this voice even when I don’t really understand her.

 

 

 

 

 

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National Poetry Month 2018

Raven by John Gibson

Raven lights a fire
before dawning of sunrise,
forewarning of death,

calms darkness before released
hatred causes senseless grief.

Tanka: The Japanese tanka is a thirty-one-syllable poem, traditionally written in a single unbroken line. A form of waka, Japanese song or verse, tanka translates as “short song,” and is better known in its five-line, 5/7/5/7/7 syllable count form. From Poets.org

“The Irish goddess, Morrighan, had a number of different guises. In her aspect as bloodthirsty goddess of war, she was thought to be present on the battlefield in the form of a raven.” From Trees for Life, Mythology and Folklore.

 

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National Poetry Month 2018

Railway Station

This week my students and I read an article in the Scope Scholastic magazine about the Kindertransport.  Jewish families paid for their children to board a train to Great Britain where a group of people welcomed and fostered these children escaping the dangers in Germany in 1939. The article focused on the story of one girl, Lore. For some of my students, this was their first exposure to the horrors of the Holocaust.  They became fascinated and touched by the terror these children had to go through.

Amy VanDerwater is writing a poem everyday on her blog and featuring one of the methods in her book Poems are Teachers.  I am using this prompt daily.  Added bonus: my students are learning about Orion because Amy is writing about one topic, Orion, 30 ways.

On day 2, she used story structure.  I thought this prompt paired well as a response to the Scope article.  As a follow up, my students created videos in Animoto with their poems.

Today, I am sharing my poem as well as a powerful video from my student, Erin.

Kindertransport

Alone with a suitcase,
a photograph,
an accordion,
Lore waited at the station
to be saved.

Hitler fanned the flames of hatred.
Terror washed over her.
Why did her parents send her away?
To be saved.

The only way they knew how,
they sent her away
to live with strangers
to learn a new language,
to find new friends,

to be saved.

–Margaret Simon (c) 2018

 

https://animoto.com/play/zKBNnnWqZh7HJjxzdEKFPA

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