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Posts Tagged ‘duplex form’

Poetry Friday round-up is with Tabatha at The Opposite of Indifference

I have become enamored of the duplex poetry form, a modern take on a ghazal + sonnet + blues poem invented by Jericho Brown, the Pulitzer Prize Poetry Winner for 2020. I’ve read the description in this article over and over, and every time I see something new. In other words, it’s complicated.

Here are the boundaries:

Write a ghazal that is also a sonnet that is also a blues poem of 14 lines, giving each line 9 to 11 syllables.

The first line is echoed in the last line.

The second line of the poem should change our impression of the first line in an unexpected way.

The second line is echoed and becomes the third line.

The fourth line of the poem should change our impression of the third line in an unexpected way.

This continues until the penultimate line becomes the first line of the couplet that leads to the final (and first) line.

For the variations of repeated lines, it is useful to think of the a a’ b scheme of the blues form.   

Jericho Brown

I decided to challenge my writing group, The Sunday Night Swaggers, with the form. Challenges help to get us moving. (I hope my partners aren’t throwing eggs at this blog post.) I enjoyed this process. The repetition with the permission to vary it led to new discoveries.

To see more duplex poems from our group:

Catherine at Reading to the Core

Molly at Nix the Comfort Zone

Heidi at My Juicy Little Universe

Linda at A Word Edgewise

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Poetry Friday round-up is with Matt at Radio, Rhythm, and Rhyme.

Last week I posted a poem I wrote for my mother-in-law, a work commissioned by her for a local writing festival fundraiser. I commissioned a poem for myself and selected Bonny McDonald to write it for me.

Bonny and I have lost touch over the years, so I enjoyed our email exchanges that put us back into that comfortable place of friendship. You know the kind. When you feel like you were never really separated.

Bonny didn’t just take the questionnaire that was given by the Festival of Words organization. No, she emailed me more questions like
What makes you think of your ancestors, and what messages do you get or teachings do you carry in your heart from those who came before you in your family?

My answers to that question and to “Who is your favorite poet lately?” (Jericho Brown) led to this wonderful duplex poem just for me. I cried when she read it at the Zoom event.

Namesake  

A duplex for Margaret Simon, 
 inspired by the portrait of her grandmother, Margaret Shields Liles  

The mother of your mother is with you 
Margaret, still, a figure in a painting 

Margaret’s figure sits still in the painting 
Her violin poised to spring up for a tune 

A tune fit for a violin springs up 
For the child of your child in your lap 

Oh child of my child, a song for you 
I wrote a few verses to leave with you 

Now to leave them is what’s left to do 
A note resonates with the lift of the bow 

A note resonates a little while  
Harmonics hold to a foundation 

Your grandchildren hold you to the place where
The mother of your mother is with you 

Bonny McDonald, all rights reserved
This portrait of my grandmother Margaret hangs in my dining room.

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