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Day two of the Kidlit Progressive Poem is with Jone today.

This National Poetry Month, I am writing word poems using random words that come into my life.

I’m taking care of my 4 year old grandson while his mother is on a work trip. Today’s elfchen is playing with the word shambles.

Shambles Elfchen

Shambles
of toys
on Mamere’s floor
a kingdom of pretend
Lightstep

Margaret Simon, draft NPM 24

I’m also following Ethical ELA prompts. Today’s prompt “The Magic Box” was an interesting practice in synectics, combining words together that normally would not be connected. The intent was to release some of the insecurity in writing, loosen our muscles so to speak.

Whistle While you Walk

Wisteria hangs like lavender bubbles
marching across the dog-ditch.
Like a child, blossoms whisper,
“I exist to please you.”

We are all monster trucks traveling
through construction, a long and dusty road.

Take me on a spring walk,
blow a dandelion–a train whistle
to the wild world.

Margaret Simon Magic Box
Photo by Larissa Farber on Pexels.com

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Poetry Friday is hosted this week by Tricia Stohr-Hunt at The Miss Rumphius Effect
Elephant family, July 2016 Tanzania, Africa

I was inspired by Michelle Kogan who wrote a pantoum for a hippo. I recalled the hippos of my Africa tour in 2016. I’ve been reading Margarita Engle’s verse novel Singing with Elephants. I collected lines from the verse and went to work on the pantoum form. This form is like a puzzle. Michelle fit hers together with rhyme. I didn’t use rhyme. When I googled pantoum, there doesn’t seem to be a rule about rhyme or line length. The rules show that each stanza is four lines with this pattern: (1,2,3,4) (2,5,4,6) (5,7,6,8) (7,3,8,1)

The Poetry Sisters respond to a challenge on the last Friday of the month. This month they are writing animal pantoums. Our host Tricia has more about the form and links to other Poetry Sisters posts.

The beauty of an elephant’s hum-hug,
a language as common as buzzing bees,
simple as spending time with kindness.
Elephants embrace us with their music.

With a language as common as buzzing bees,
I can catch good luck as it passes.
Simple as spending time with kindness,
these animals move like magical mountains.

I catch good luck as it passes:
Photo from Africa is a touchstone of memory.
These animals move like magical mountains
with a touch of heavy gentleness.

My photo from Africa is a touchstone of memory,
as simple as spending time with kindness–
A touch of heavy gentleness–
the beauty of an elephant’s hum-hug. 

Margaret Simon, with thanks to Margarita Engle and PÁDRAIG Ó TUAMA.

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George Rodrigue was born in New Iberia, LA and is famous for the Blue Dog. I never met him, but our town celebrates him with a pocket park on Main Street. The Bayou Teche Museum acquired a display of his studio.

Our students will be touring an exhibit of George Rodrigue’s work today at the Hilliard Museum in Lafayette, LA. To prepare my students for this field trip, I shared the story of the Blue Dog and let them choose a work of his art to write about.

John-Robert chose a painting with a gravestone for Tiffany. We googled the words “Tiffany + George Rodrigue” and found out that Tiffany was Rodrigue’s pet whom he based the Blue Dog on.

Page from a Blue Dog calendar

Oh Tiffany
where have you gone 
after all you’re right here

under That Lovely Cyprus tree
Why are you still hiding from me
I’m just A Blue dog

I go to the village 
THEY SHUN ME AWAY
“Leave evil spirit!”

They see me and run
why 
even when I adore the limbs of humans they run

So I have left to roam near only friend
to protect her in the stone box from them
all I want is to see her again no matter when

Oh Tiffany 
where have you gone 
after all I’m back from the hunt
so when is when

John-Robert, 6th grade

As a teacher of this bard, I hesitate to criticize at all. This is JR’s first and only year in my class. He has been writing poems every day in his notebook. None of them have capital letters or punctuation. When it comes to essays, I talk to him about the grammar choices he makes (or doesn’t make), but I still leave his poems alone.

I wish you could hear him recite them. He sounds like he’s reading from his very soul. I’m often left speechless. In my opinion, and I’m hoping it’s the right one, his creativity is a delicate thing. I want him to keep writing long after he’s been with me.

JR is my Emily Dickinson, writing far above my level of understanding. I think I will continue to leave him alone with his poems. He tells me he “knows” the grammar rules. He doesn’t know why he doesn’t use them. It’s as though his thoughts won’t allow for the crowding of periods and commas, capital letters, etc.

What’s an ELA teacher to do with that?

Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

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seeds by Amanda Potts

Amanda Potts on Instagram is @persistenceandpedagogy. She’s become quite the photographer on her daily walks in Ottawa, Ontario, Canada. She posted this one last week of an open pod of milkweed seeds. I am waiting for my milkweed to sprout, but I’m worried that the freeze killed it.

Amanda’s photo stirred an emotion in me. Look for the light. These seeds seem to be glowing from the center. They have places to go, places to land, places to nurture our most precious monarch caterpillars.

Write a small poem inspired by this photo and leave it in the comments. Please encourage other writers with your responses.

Parachute on wind
gentle flight for precious gems
whirl to wake the world.

Margaret Simon, draft

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

Leigh Anne Eck has invited Slicers to come to a blog party about words. Where would poets be without words? I am not a word nerd, but I am a word collector. I love to play with sounds in poetry, especially alliteration. I subscribe to two word-of-the-day emails, and work with gifted students on how words are created and carry different meanings. Words are fun for me.

Here are some suggestions for activities to do with students around word play.

  1. Definito poem: My friend and fellow Inkling (writing group) created this form. The poem form is 8-12 lines written for children that defines a word. The defined word appears in the last line. I wrote a definito last year during National Poetry Month around the word shenanigans.

2. Wandering Word Poem: I first learned about this word exploration form from Nikki Grimes in this Today’s Little Ditty post. Take a word for a walk, exploring all the ways it can be used, literally and figuratively.

3. Pi-ku: On Pi Day each year (3/14) we write pi-ku which is a poem with the syllable count of pi: 3.14159…

I played with the sounds of p-words.

P-popping
words
popularly
drop
perpetuity

Margaret Simon, pi-ku

How do you “play” with words in your writing? If you work with students, I hope you can use the forms I’ve shared here and just let them play with poetry.

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

I pulled out an old library discarded book The Space Between Our Footsteps, an anthology of Middle Eastern art and poetry, edited by Naomi Shihab Nye, published in 1998. Our world news has been so harsh on the Middle East. I don’t know how much my young students know, but I was sure I could find an empathetic poem to share with them. Naomi’s introduction speaks of the prejudice of Americans toward Middle Easterners. She turns the table to tell what Middle Easterners might say about Americans. The truth is we are all humans. We all have thoughts and feelings, love, and tragedy.

The poem I chose for Poetry Friday was “I Have No Address” by Hamza El Din.

I Have No Address 

I am a sparrow with a white heart and a thousand tongues. 
I fly around the globe 
Singing for peace, love and humanity 
In every place. 
I have no address. 

My address is lines ornamented by dreams, beating hearts united by smiling hope 
For people who wish good for other people all the time. 
I sing, smile and cry. 
My tears wash away pain 
In every place. 

Our paths are boats of longing, turning round and round with us— 
One day to the east, another to the west, to tranquil moorings. 
And when the waves go against us and cast us away, 
Then the echo of my sounds at midnight will be a dock at the shore of tranquility, 
In every place. 

The day we join hands with others’ hands, our universe is 
A rose garden blooming in the holy night. 
It contains us, with hope, love and alleluias. 

And I am the sparrow on the branch. 
I sleep, dream and fly happily 
In every place. 
I have no address. 

Hamza El Din

How do we build empathy in our students when the news is anything but? Where do we direct them to find peace and understanding? I believe literature, poetry can do this. But is it enough? I don’t know.

My student Kailyn is a first generation American whose father immigrated from Laos with his family. She has heard first hand from her grandfather what the land of the free means. Currently she is reading Refugee. She saw the title in my classroom and identified with it immediately. I warned her that it’s a tough book. Sad things happen. She took it anyway. Her poetic response to I Have No Address came from her reading.

Freedom

I am free,
I have peace.
I can wander without anyone judging me.

Freedom is a privilege,
One wrong move and,
Boom!

Josef, Isabel, and Mahmoud,
Aren’t free;
They’re controlled.

I am free,
I am free from controlling,
I am free from fear.


Am
Free

Kailyn, 5th grade

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Spiritual Journey posts for this first Thursday of March are gathered by Ramona at Pleasures from the Page.
Easter, 1972
I’m quite sure my brother was hiding a peace sign behind my head.

Every good gift and every perfect gift is from above, and comes down from the Father of lights, with whom there is no variation or shadow of turning. 

James 1:17

When I was growing up, the front of our home was lined with pink azaleas. We would pose every year (or so it seemed) for an Easter photo near the bouquets of pink. Today my small town heralds an Azalea Trail. March is the time for azaleas to pop. The blooming is fleeting, though. They’ll be gone in two weeks. My One Little Word for 2024 is Peace. Here’s a gathering of goodness for Peace and pink azaleas.

Peeping pink azaleas
Emerge on this March day
A reliable blossom
Carries
Easter tradition

Margaret Simon, draft acrostic 2024
photo by Margaret Simon
Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

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This photo was posted by Kim Douillard with the comment, “Full moon snowshoeing? Yes, please.” Taken in Mammoth Lakes, CA.

Last week’s full moon was a beauty. I had a tug of envy when I saw Kim’s amazing photo on Facebook. What a capture of the forest trees pointing to full moon. The snow is clean and untouched. I felt a sense of calm and peace, all the while knowing that for the Creator to make snow, it must be cold. But this scene is deceptively warm.

Elfchen have become my go-to form this year. I am attracted to using one word to start a poem, one word to send me out on the slope of where a poem wants to take me. Sometimes I go the way of description, sometimes toward a deeper wisdom. My student has created two words for these kinds of poems, a quotem or a quoem. Quotem is a quote that sounds like a poem. A quoem is a poem that sounds like a quote. I hope you feel inspired to write something, be it quotem or quoem. Share it in the comments and encourage other writers along the way with your responses.

Slope
slides toward
a hungry moon
lighting my way to
Poem

Margaret Simon, elfchen draft

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Thank you to Two Writing Teachers for creating an amazing community of writers and a safe, welcoming space to write and share.

Having a safe space to imagine and dream and (re)invent yourself is the first step to being happy and successful, whatever road you choose to pursue.

Ashley Bryan, We Rise We Resist We Raise Our Voices foreword

Hope, a mark of hope, a small piece of washi tape from a student now in my notebook reminding me that I am in a safe space.

Creating a safe space for writers is my top goal as an ELA teacher. When I hear a student read aloud their most fresh and vulnerable words, I am honored. Sometimes they don’t want to share; however, they will hand me their notebook to read. They are watching my eyes for the glow of adoration. I do adore what they write. They are confident children. I need to remember, though, that they are children. They need my validation. My words of encouragement. A sign of hope.

A mark of hope
a place to be
A dream to dream
a road to see
you see in me
a hand with a gift
a mark of hope
a place to be

Margaret Simon, draft
Playing with washi tape shapes in my notebook.

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Yesterday afternoon I went to a workshop at the Acadiana Center for the Arts led by my mentor and friend Darrell Bourque. In the large gallery space was the show In Medias Res: How One Story Becomes Another, a collection of paintings from his collection accompanied by the poems he wrote to them. Darrell first introduced me to eckphrastic poetry years ago. This piece of painted canvas was among a pile of canvases in a writing station within the gallery.

The instructions read “Mystory: Turn no to yes”.

I love how the smashing of my and story looks like the word mystery. What mystery is hiding your true story? What story in your life turned a no into a yes?

During the workshop, I received an enticing text invitation to an Argentinian dinner complete with tango lessons. I said yes without even asking my husband. I knew yes would be his answer, too.

Today
we imagine
an eager sunrise
spinning a new story
Tango

daily elfchen, Margaret Simon

What mystery/mystory do you have waiting to expose? What emotions does the abstract painting stir for you? Please leave a small poem in the comments. Remember to write encouraging responses to other writers.

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